
| Title |
Author |
Description |
Excerpt |
| What
We Want And Other Poems |
Adam R. Marcotte |
Description |
Excerpt |
| I-Searching: A How-to Guide for Qualitative I-Search Projects | Adam R. Marcotte | Description | Excerpt |
| Adam's Grammar Primer: A Review of Everyday English Essentials | Adam R. Marcotte | Description | Excerpt |
| Dragon Soul: Book One of the Triune Jewels | Jennifer Childress |
Description | Excerpt |
| Barefoot and Pregnant: The Socialization of the Educated Korean Woman | Scott Valentine | Description | Excerpt |
Return
to Adam’s
and Heidi’s Main Index Page
What We Want And Other
Poems
What
We Want And Other Poems explores the nuances of growing up,
learning, loving,
and living mindfully within the intricate context of families, friends,
and
communities. The poems in this 100-page collection find thematic homes
within
four sections: Learning to Dance; High Marks in the Schoolhouse;
Loving, JUST
and MERRIED; and Realizing What We Want. Throughout the work,
Adam R. Marcotte offers a compelling
perspective of a
balanced, deliberate way of life on a delicate and precious planet.
What We Want And Other
Poems
In My Sleep
In my sleep I finally
found
An orgy of words,
And I murmured with zeal
Because for so long
There had been no frustration
With which to drive my pen.
But this morning, I find myself
As empty of poesy as
The night before,
Forcing the question
As to the existence of the
Hallucinations in the first place.
So, in their stead,
I conceive a whining
Temper tantrum as
A child might, after
A slight spanking
Stamping my foot and
Wondering if,
In that edgy twilight, there wasn’t
Before my eyes
And on my lips
Some magic.
A Ketchum
FOR MILDRED
My mother’s mother,
A Ketchum,
Someone whose soul still touches mine—
As when I’m mopping the floor
At 3:30 a.m. since, if you’re awake,
You may as well do something—
Chose death too long ago.
It wasn’t the cancer, the diabetes,
Or the tumor lodged deep in her hip;
She just decided there wasn’t enough work left.
She asked us to drive her along the old dirt roads
Which she remembered as paths and hay-wagon trails.
She tapped her wrinkled fingers on the door
And laughed about her sons and daughter
Coming home on this road with iron trucks,
Running through those prickers in cutoff shorts.
From the back of the car, my mother,
Nervous and searching for the right questions,
Asked, “Would you do it again, Ma?”
But without hesitation or even a break for thought,
From the passenger side my grandmother erupted,
“Nooooooooooooooo!”
The daughter and the grandson sat, stunned.
Trees crept by us, and we listened
To the rubber slapping the recently paved road
Because the wind had stopped moving, like our breathing.
But not Mildred:
“I’m
eighty-years-old; I don’t have time for that!”
As most instructors and students know, one of the best ways to ensure success on any project is to offer an exemplary model of what that successful product should look like when it is finished. Even though there are many other factors in whether or not students can attain certain educational benchmarks—factors such as their previous experience, their current skills, the quality of the instruction, the learning environment, etc.—all students have a greater chance of success when they know what the final product looks like, feels like, sounds like, and, in some cases, even tastes like.
Therefore,
instructors have a
responsibility to provide the best model possible, and students have a
responsibility
to employ their personal resources to meet or exceed the expectations
of each
project. For instructors, good models are often hard to locate,
especially with it comes to qualitative research at the secondary and
undergraduate level. This book is specifically designed for
students and
instructors who have chosen to engage in limited qualitative research
in a
language arts context; however, it can also serve as a starting point
for other
disciplines. In addition, this book reviews “re-”search
documentation
methods in the Modern Language Associate (MLA) format since more
advanced
studies may include a literature review.
Generally,
I-Searching offers a unique—sometimes transformational—learning
experience for
students of all ages. I-Searching is not meant as a replacement
for
quality instruction or a fecund learning environment, but it can
complement a
strong program. Applications outside language arts might include
I-Searching to explore local history and to enrich a newer generation’s
understanding of the immediate community in a social studies
class.
I-Searching can be used to explore an original hypothesis and to
conduct
genuine research in a science class. Students in writing classes
could
use it to document how people interact with language and/or to examine
the
process authors use when creating different kinds of poetry and
prose.
Although this book does not provide an extensive list of alternative
applications, it does provide a list of resources for those interested
in designing
their own.
Adam's Grammar Primer: A Review of
Everyday English Essentials
This publication is available in PDF
format.
Adam's Grammar Primer:
A Review of Everyday English Essentials
Imagine trying to coach a football team without knowing the difference
between a touchdown and a field goal. Imagine trying to purchase
a car
without knowing what an engine does. Imagine trying to bake a
cake
without realizing the difference between baking soda and baking
powder.
In all these cases, the chance of succeeding at each task is greatly
reduced
because the participant is not versed in the vocabulary of the
activity.
As writers in the workplace, many of us recognize why this kind of
rudimentary knowledge and understanding is crucial in the
aforementioned
scenarios. Yet oftentimes when we sit down to write, we ignore
our own
lack of awareness of the basics of English grammar and at the same time
we
somehow expect positive results. To make matters worse, rather
than
become more proficient, we rely too heavily on technology, our friends,
and
forgiving audiences to subsidize our own lack of expertise.
Part of the difficulty is that writing in general and grammar in
particular are frequently seen as “mysterious” and complicated—only to
be
understood by the brooding poet who writes from divine inspiration, the
disheveled writer locked away in a shack on an anonymous and deserted
seaside,
or the quintessential and much-feared high school English
teacher.
Another difficulty may be that most written grammar resources are quite
thick
and difficult to use, which does not encourage writers who are pressed
for time
and space to utilize them.
In response to those challenges, this primer is designed to be a quick
review of the essentials of English grammar. It is not a
replacement for
comprehensive grammar resources but rather an easy reference guide to
the most
common questions relating to “the basics.”
If, after reviewing this text, you have any comments or suggestions,
please contact me at the address below so that I can improve this work
in the
future. Meanwhile, I wish you the best of luck as you grapple
with your
daily tasks, especially as they relate to the challenges of language
arts.